Samantha St. Claire
Prof. Flack
Eng 6
15 September 2012
The Mystery of Chivalry
Knightly chivalry isn’t what it seems at first
blush. In Carl Grey Martin’s article, “The Cipher of Chivalry: Violence as
Courtly Play in the World of Sir Gawain
and the Green Knight,” he explains how brutality and courtly games are
unexpectedly two sides of the same coin called chivalry, and how they harmonize
surprisingly through the Green Knight’s queer but intentional games of ruthlessness
and trickery.
Martin argues that the Green Knight (King Bertilak) may
seem barbaric and cruel but in fact is the picture of chivalry. The Knight seeks a game
and follows the rules of his game with steadfastness and no sign of waver. Martin
adds that the Green Knight showed exemplary sportsmanship by making the rules
fair to both sides: a free death strike for both sides. He acknowledges that Bertilak’s
game seems at first glance incredibly unfair and swayed in his favor due to his
knowledge that he would survive Gawain’s fatal strike. However, Bertilak is not
only unarmed when Gawain prepares to behead him, but he is also without armor. Even
more, he willingly bares his neck and does nothing to try to avoid Gawain’s
swing! After all these factors are considered, Martin believes that “the Green
Knight’s magic can be seen as a fair recompense for volunteering to undergo the
first strike” (317). A noble knight would never stoop so low as to do battle
with a man in such a state. And yet Gawain does, making himself no more chivalric
and courteous than the Green Knight.
Sir Gawain will not avoid the pact he agreed to, as the
depressed courtiers who watch the knight off on his bleak quest realize. Martin
sees that they don’t see this game as an episode of true chivalry, because the
ending is a guaranteed execution rather than a fair and gallant battle granting
glory and honor to the winner. They see this as a waste of a perfectly noble,
respectable knight of high class, deserving of rich halls and pleasure. Martin’s
point is that they are being realistic, understanding that a game isn’t worth
such dire risks and consequences. What they haven’t realized is that their
common sense is revealing that their naïve view of chivalry and knightly games
as having glory and honor but “no long-term consequences” is unrealistic and
complicated. Clouded by their preferred view of chivalry, they “recognize
knightly excellence, but not the obligations which it entails” (315). Especially
if those obligations are to give up your rightful status and favored life for
the sake of glory and righteous codes of honor.
Before the course of this game is even complete,
Bertilak starts a new game with the same noble knight when he arrives at his
court, with similar rules as the first: He’ll give to Gawain, and in return Gawain
will give to him (essentially, “My head for yours; my daily winnings for yours”).
Martin marks the foolhardiness of Gawain because “there is no trial of arms but
the stakes remain high, for the young man is asked to commit himself without
knowing what the ‘chaffer’ could be that he must unconditionally hand over,”
and yet he once again “set[s] aside his practical concerns and jump[s] right in…
despite the life-threatening experience in which games have embroiled him” (318).
This is a picture of a brash, immature young man who has a lot to learn about
life.
Finally, Martin makes the remarkable observation that
King Bertilak is not playing games with the knight to mess with him, but to
mature him and get him to understand the chivalric code he follows is
impossible. The king gives Gawain the life-saving girdle through his wife, and
Gawain passes the test by accepting it because he finally “comprehends that his
game-playing has consequences” (319) and finally fears for his life. Unlike Sir
Gawain, Martin does not consider the knight’s violation of the game’s rules as
a weakness in the knight’s character, but as “a positive sign of growth, a
deliberate self-assertion that reopens his collapsed future” (319). The noble
Sir Gawain actually treasures his life more than he values his agreement with
the king and withholds his “winnings” in the hopes of preserving his own life.
I found this observation to be incredibly insightful and
makes sense to the story as a whole. Is that why the Green Knight appeared in
King Arthur’s court in the first place? To find if there was a man dumb enough
to willingly agree to go to his own death? In the end, the girdle did truly protect
Sir Gawain from the death blow, because by taking it from the queen and keeping
it for the sake of his own protection, he learned the lesson the king was
trying to teach him all along: his lengthy, righteous list of virtues listed
in the beginning of the poem are impossible to uphold. As the king said in the end, "I sent [my wife] to test you... /... it was loyalty that you lacked: / not because you're wicked, or a womanizer, or worse, / but you loved your own life; so I blame you less" (lines 2362-68). Gawain needed to look death
square in the face in order to get a good dose of reality and common sense. With
the lesson learned, the king was done with his game and let the matured knight
leave with his head on his shoulders. The green girdle isn’t so much a sign of
Sir Gawain’s failure of character as it is an emblem of the continual struggle
to uphold our own personal standards.
Martin, Carl Grey. “The Cipher of Chivalry: Violence as
Courtly Play in the World of Sir Gawain
and the Green Knight.” The Chaucer Review. 43:3. 2009. 311-329. Web.
You don't start charging after 280 words, do you?
ReplyDeleteThis was a truly skilled summary of the article. Your incorporation of quoted material was fluid and marks you as a skilled writer. Your understanding of the article is also clear and impressive. Excellent understanding of the article's point that the Green Knight was educating a younger knight in the impossibility of the chivalric code.
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